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| ainesse |
Posted: Mar 5 2008, 12:23 AM
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Newbie Group: Members Posts: 6 Member No.: 31 Joined: 24-January 08 |
I wonder if any of you are in a position to advise me in my current predicament?
I conducted the application of castor sugar onto Lascaux soft ground, as described in the recently published "Intaglio" book, by Carol Robertson and Robert Adams. I did this on an aluminium plate. I then saline etched and proofed it. OK that was fine. I then thought I would do another castor sugar application, to improve the 'aquatint' like affect. I have been obtaining my Lascaux A.R.E. printmaking materials (sole suppliers of the full range -i within the UK). Unfortunately they didn't have any Lascaux remover in stock so I then ordered some of the Mystrol cleaner as recommended in the book. I wondered if this might be more economical too, given that I had just spent nearly £200-00, on purchasing most of their range of acrylic resist etch and tusche materials. But it hasn't worked. I soaked it for half an hour following the directions in the book. But it didn't 'budge" - anyway so then I thought I would leave it in overnight which I did and still nothing !! Is it the case that if I had the Lascaux soft ground on copper - that it would remove it? Perhaps it doesn't work with aluminium. I had also read somewhere that using sodium metasilicate crystals would remove acrylic resist - but again I followed the instructions and it did not remove the resist. I wish I was more knowledgeable where chemistry was concerned !! Aine |
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