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 Drive!!!, Based on Stephen King's CHRISTINE
 
So, how scary was it?
I won't be driving for a long time! [ 1 ]  [100.00%]
If I see a Plymouth Fury, I'll avoid it at all costs! [ 0 ]  [0.00%]
Where can I buy Christine? [ 0 ]  [0.00%]
Total Votes: 1
Guests cannot vote 
dean5339
Posted on Feb 20 2006, 05:40 AM


Advanced Member


Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



Note: This teleplay takes place between DEAD IN THE WATER and PHANTOM TRAVELER

user posted image

FORMATTED TELEPLAY:

Drive!!!

Hosted By: SimplyScripts
Top
dean5339
Posted on Feb 20 2006, 05:44 AM


Advanced Member


Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



INT. PLYMOUTH PRODUCTION PLANT

ROCKBRIDGE, CALIFORNIA 1957

We open to an automobile production plant. George Thorogoodís Bad to the Bone plays as we see cars roll past on an assembly line. We TRACK with one of the cars through the assembly line process. Seeing everything from start to finish. We see the finished 1958 Plymouth Fury roll past on the assembly line. We continue to track with it. The 1958 Plymouth Fury comes to a stop at the end of the assembly line. WORKERS walk towards the finished car. Proud of their hard work. The door opens. REACTION SHOTS of the workers' faces. Frightened. Startled. Terrified. We look back towards the car. ANGLE DOWN. We see a worker, DEAD, fall out of the driverís seat of the car and onto the ground!

SUPERNATURAL: DRIVE!!!

INT. MOTEL ROOM

Sam sits by the window, working on the laptop. Dean looks over towards Sam.

DEAN
Find anything yet?

SAM
Nothing that we havenít covered before. You know: The Queen Mary, Alcatraz.

Dean nods

DEAN
Keep looking, somethingís bound to show up sooner or later.

Deanís cell phone rings. Dean answers it. Sam glances over, curious.

DEAN
HelloÖ

MAN (O.S.)
Dean, you might not remember me. This is Stan Miles. An old friend of your fathers. Something strange is going on here.

DEAN
What do you mean by strange?

MAN (O.S.)
Iíd really like it if we could talk about this in person.

Dean nods

DEAN
Weíll be there.

Dean hangs up. Sam looks towards him, curious.

DEAN
Pack your bags Sammy, weíre heading for Rockbridge, California.

EXT. HIGHWAY- AFTERNOON/SUNNY
(ROCKINí DOWN THE HIGHWAY BY THE DOOBIE BROTHERS)


The 69í CHEVY IMPALA speeds past the screen.

INT. IMPALA

Dean looks over towards Sam, looking towards a map.

DEAN
SoÖ

SAM
Youíre going to be taking aÖ

Dean looks forward on the road and sees an exits sign on his right: Rockbridge,
California.

DEAN
Right.

Sam looks up and nods. Dean turns right. The Impala gets off of the highway.

EXT. SUBURBAN TOWN

ROCKBRIDGE, CALIFORNIA

The Impala drives through a regular small suburban town. Families walk along the streets. Couples hold hands. Children insert quarters to take rides on toy cars.

INT. IMPALA

Dean looks out the window.

DEAN
Look at them. They have no idea whatís out there.

SAM
Didnít you ever think that it might be better that way?

Dean looks towards Sam, taken aback.

SAM
I mean, not knowing what we know. Life would be so muchÖ

DEAN
Simpler? Yeah. But, itís not. This isnít real. This is what they want to believe is real.

SAM
Yeah, butÖ

Dean raises his eyebrow.

DEAN
This is about Jessica isnít it?

Sam shrugs

DEAN
Man, you have to let it go. If you donít. Eventually your anger will get the better of you. Trust me, I know. Weíll find dad, and get to the bottom of this. But, in the mean time we save everybody we can from here to there.

SAM
So, this friend of dadísÖ

DEAN
His wife was captured by a Bruja. Dad and I saved her.

Sam shakes his head ok and stares out the window. He sees a happy family watching their five year old son. Dean glances over towards Sam and continues to drive.

EXT. LIBERTYVILLE HIGH (FINISH LINE BY YELLOW CARD)

RING! The bell signaling the start of the school day rings. Students reluctantly enter the school. Among them is KYLE MOSELEY, 17 years old, a senior who still defines the word geek. Walking with him is his best friend, and perhaps only friend, JOHN GORDON. The star football quarterback.

JOHN
So, this is the big one man. One more year then weíre home free.

KYLE
Easy for you to say. You get to leave Rockbridge, my parentís are going to make me go to some community college.

JOHN
With your grades?

Kyle shrugs

KYLE
You know my parentsÖ

John grins, he knew Kyle was right. Kyle had the strictest parents he had ever met.

JOHN
Yeah, I know.

They enter the school.

INT. LIBERTYVILLE HIGH- HALLS

KYLE
I meanÖ everythingís a committee meeting, and if itís something I donít want to do, I get outvoted two to one!
(beat)
Has it ever occurred to you that part of being a parent is trying to kill your kids?

JOHN
(sarcastic)
Yeah, that makes sense. Mine try to kill me all the time.

KYLE
No, I meanÖ as soon as you have a kid, you know for sure that youíre going to die. When you get a kid, you see your own grave stone.

John looks towards Kyle, eyebrow raised.

JOHN
Thatís freakiní gruesome man.

KYLE
I didnít mean it that way.

JOHN
Yeah, whatever. Now that itís senior year. I thought we should finally get you laid.

Kyle itches the back of his neck, looking around.

KYLE
So, you going to Darnellís this afternoon?

JOHN
Yeah, need some extra cash. Promised Sarah Iíd take her to the Greenday concert. Man, thatís going to be expensive. So, by the wayÖ are you ever going to get a car of your own?

Kyle looks towards John, hopeless.

KYLE
Donít ask.

John cracks a grin.

INT. PLYMOUTH PRODUCTION PLANT

We pan through the updated production plant. Dean and Sam follow STAN MILES, 65 years old, through the plant.

DEAN
Whatís the problem?

STAN
Iíve been working here all my life. Iíve seen some pretty strange things. Malfunctions in the machinery, fatal accidents. Iíve seen it all. But, whatís happening now. By God, it even scares me.

Stan leads Dean and Sam into his small office.

INT. PLYMOUTH PRODUCTION PLANT- STANíS OFFICE

Stan takes a seat at his desk. He takes out a manila folder.

STAN
Here.

Stan hands Dean the folder. Dean flips through it.

DEAN
1958 Plymouth Fury, red and white.

STAN
Only one like it too. Specially made for a one Arnold Baron. The townís cherished son. God knows why. You ask me, that man was hiding somethingÖ He died a few weeks ago.

SAM
Heís come back?

STAN
I donít know.

Dean looks towards Stan, curious.

STAN
All I know is that, that car is out there killing people. A red and white 1958 Plymouth Fury. Christine. Thatís what he called her, as though it was some sort of person or something. He loved that car more than anything.

SAM
How did he die?

STAN
He committed suicide. Shot himself to death, three times.

Dean and Sam exchange a glance.

SAM
Where was this?

STAN
In the backseat of the car.

DEAN
Who has the car now?

STAN
I donít know, he had a brother. Matthew Baron. Perhaps he has it.

Dean nods.

SAM
Is there anything else you can tell us?

STAN
I was fifteen when they made that car. I helped make it. I donít know what happened between the time that car got on the assembly line and the time it got off. All that I do know, is that by the time it got off. There was a worker, inside, dead. Murdered. No one knows whatever happened that day.

Dean nods.

SAM
This worker, do you remember his name by any chance?

Stan nods

STAN
Dan Jacobs. Best man I ever knew.

DEAN
Weíll see what we can do.

Stan shakes his head ok.

STAN
If you need anything, Iíll be right here.

Dean and Sam stand up to leave.

STAN
Oh and, DeanÖ when you see your father again. Tell him I said hi.

Dean nods his head ok

DEAN
Will do.

Dean and Sam exit the office. Stan watches them leave.

FADE TO:
EXT. PLYMOUTH PRODUCTION PLANT

Dean and Sam walk back towards the Chevy Impala.

SAM
So, what do you think weíre dealing with?

DEAN
I donít know. Could be a number of things. There have been known cases of possessed cars that brought about death.

Sam nods

SAM
Like the James Dean ďDeath Car.Ē And did you hear the number of times Arnold Baron shot himself?

DEAN
Three times.

SAM
Exactly.

DEAN
Three is a sacred number, representing the Pagan trinity, the third of Hinduism. For years occultists have used 333, as the hidden symbol for 666.

Sam nods

SAM
And the devilís tower in New Jersey.

DEAN
Drive backwards three times and the devil is known to appear.

SAM
Do you think that John somehow bonded his spirit to the car?

Dean shrugs

DEAN
Itís possible. When one dies in a car, especially in a tragic way their spirit is known to live on through the car.

Sam nods

SAM
James Deanís car crash.

DEAN
Exactly. What we need to do now is contact his brother. Find out what he knows.

They get into the Impala and drive off.

EXT. ABANDONED ROAD- AFTERNOON

We see a blue 2007 Jaguar XK Convertible turn a corner and drive straight towards the screen. The radio blares Fought the Law by Greenday. John is behind the wheel. John looks towards Kyle.

JOHN
So, first day back wasnít that bad.

KYLE
Thatís easy for you to say. Why are we going down this way anyways?

JOHN
Itís the back roads. I donít even think anybody lives around here. Just mainly old abandoned houses.

John looks towards an old house, torn apart and nailed shut with an eviction notice.

JOHN
Itís a dead neighborhood.

Kyle wasnít paying attention, something else had caught his attention.

KYLE
Turn aroundÖ

John looks towards Kyle, curious.

KYLE
Come on John, turn aroundÖ just turn around alrightÖ

JOHN
Jesus, what is it?

Kyle grins, John raises his eyebrow.

JOHN
Oh man, forget it. If you meant thatÖ thing we just passed.

KYLE
Can you just turn around!

JOHN
Fine, alrightÖ

The Jaguar turns around and drives back to a house hidden behind a blanket of trees and bushes. Sitting, motionless in the heat of the sun is the 1958 Plymouth Fury. Worn out, decaying, a total wreck of a car. Kyle steps out of the convertible and runs towards it exhilarated. John follows, close behind.

KYLE
Look at her, sheís beautiful.

John looks towards Kyle, eyebrow raised.

JOHN
Kyle, youíre having me arenít you? Itís sunstroke, right?

John approaches the car. But, maintains his distance. Something wasnít right about it.

JOHN
Please tell me itís a sunstroke man. Iíll take you home and put you under the frigging air conditioner and weíll forget all about this okay?

Kyle looks towards John, laughing and shaking his head.

KYLE
She can be fixed up. She couldÖ she could be tough.

Kyle opens the drivers seat and steps in. He rests his hands against the wheel. John looks towards Kyle.

JOHN
Letís just get out of here man.

KYLE
You can, Iím staying here.

JOHN
Come on, this place gives me the creeps.

Kyle feels the steering wheel.

KYLE
Yeah, she could be real tough.

JOHN
I bet she wonít even start.

We hear an old man clearing his throat. John and Kyle turn to see an old weathered out man, yellow teeth, and messy white hair. This is MATTHEW BARRON.

MATTHEW
Sheíll start.

Matthew holds out a set of keys.

MATTHEW
You need these.

Kyle looks towards the keys, as though in a trance.

KYLE
How much? Whatever you want for her itís not enough.

John rolls his eyes and breathes out. Matthew walks over towards the driverís side of
the car.

MATTHEW
Son, have you ever owned a car before?

KYLE
AghÖ

JOHN
Yeah, he owns a Mustang Mach IIÖ it has Hurst shifter, a supercharger, andÖ

KYLE
No, I just go my license.

John sighs and shakes his head no. Matthew looks towards John, agitated.

MATTHEW
Three hundredÖ but, for you. Two fifty.

JOHN
Two fifty? Come on Kyle, this piece of junk isnít worth two hundred. Let alone two fifty. You want a car so badly? Weíll look elsewhere.

Matthew looks in towards Kyle, still feeling the car out.

MATTHEW
Here, turn it on.

Matthew hands Kyle the keys. Kyle starts up the ignition. CA-CLUNK! CA-CLUNK! CA-CLUNK! John rolls his eyes.

MATTHEW
Her nameís Christine.

Kyle grins, Christine.

KYLE
I like that.

JOHN
Itís time to go Kyle, come on. Your parents are going to get worried.

Kyle turns towards Matthew

KYLE
Two fifty?

Matthew nods.

KYLE
Will you take a check?

John rolls his eyes. Matthew nods. Kyle takes out his checkbook and begins to write out the amount. John looks towards Matthew, pleading.

JOHN
Come on mister, my friend isnít himself right now. He doesnít know what heís talking about. Just give him a break alright.

Matthew grins, laughing.

MATTHEW
Sucker.

Kyle hands the check to Matthew.

KYLE
Two fifty.

Matthew grins.

MATTHEW
Have a good day now.

Matthew shoots John a hard glare. John gulps and backs away. He looks back towards the 1958 Plymouth FuryÖ Christine. He didnít know what it was. But there was just something not right about that car. He looks towards the backseat. For an instant we can see what looks like a grotesque face staring out of the backseat. John backs away, closes his eyes, blinks. Itís gone. John looks towards Kyle, frightened.

INT. OLD ABANDONED WAREHOUSE- NIGHT

John stares towards the screen. Afraid. At the edge of the warehouse. Looking in. From JOHNíS POV we see the 1958 Plymouth Fury revving itís engines.

INT. 1958 PLYMOUTH FURY

CLOSE UP the radio turns on. ďHit the Road JackĒ by Ray Charles comes on over the radio.

INT. OLD ABANDONED WAREHOUSE- NIGHT

Itís all fixed up, strong, and beautiful. VROOM! VROOM! VROOM! John continues to stare towards it, breathing out. Afraid. Terrified. VROOM! Through the fogged up windshield we can somewhat make out a hazy image of the grotesque looking corpse of a man staring forward from the driverís seat. VROOM! CLOSE UP on Johnís eyes staring towards the carÖ terrified. VROOM! VROOM! VROOM! The 1958 Plymouth Fury shoots off and speeds straight towards him. Itís headlights blaring. John covers his eyes, terrified. He lets out a bone chilling scream as the car charges straight towards him. The Plymouth Fury comes CLOSER and CLOSER towards him. VROOM! It drives straight through him.

JUMP CUT:
INT. GORDON FAMILY HOME- JOHNíS BEDROOM

John SCREAMS as he shoots out of bed. Breathing out hard. Terrified. It was a nightmare. He looks around the room. He was alone. It didnít happen. He breathes out. It was just a dream right? Carís canít come alive. Not in this reality. John looks over towards his radio, it was turned to Classic 60s. He sighs out and instantly turns it off. He stares forward in silence.
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dean5339
Posted on Feb 20 2006, 05:49 AM


Advanced Member


Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



EXT. ABANDONED ROAD- AFTERNOON/ SUNNY

Dean steps out of the Impala wearing a suit and tie. Sam looks towards him.

SAM
So, whatís the plan this time genius?

Dean shoots Sam a looks

DEAN
Hey, college boy with an attitude. Trust me, when you were off sloughing through school I was doing real work.

Sam frowns.

SAM
Alright, so whatís the plan?

DEAN
Thatís the spirit. WeíreÖ

LATER. Dean and Sam stand outside of the torn down Barron home.

DEAN
From the National and Savings bank. Seems like youíre behind on your payments.

Matthew looks towards them. Angry.

MATTHEW
So?

Sam looks towards Dean, curious.

DEAN
Well, sir. Weíre here to collect your 1958 Plymouth Fury. The carís a collectable now. And weíre afraid that for retribution weíre going to have to bring it with us.

MATTHEW
I sold that car.

DEAN
Excuse me?

MATTHEW
I sold that damn car days ago. Now get out!!!

Dean looks towards Sam. Plan B?

SAM
May we come in? It will only be a second.

Matthew frowns

MATTHEW
Fine. Donít get comfortable though.

Matthew opens the door. Dean and Sam walk in.

INT. BARRON HOME- MAIN ROOM

Dean and Sam enter the small, overflowing with junk home.

DEAN
Thatís what I call hospitality.

Matthew clears his throat.

SAM
So, Mr. Barron. Who owned that car before you did?

MATTHEW
My brother, Arnold.

SAM
This house belongs to your brother too?

Matthew nods.

SAM
May we speak with him?

Dean looks towards Sam, eyebrows raised. Heís dead dude.

MATTHEW
My brother passed away.

SAM
Iím sorry to hear that. Do you mind if my partner takes a look around while I ask you a couple of more questions?

Matthew frowns, eyes Dean. Dean grins and shrugs.

MATTHEW
Donít mess anything up.

Dean walks out of the room.

SAM
Do you remember how he died?

MATTHEW
Suicide.

SAM
Where was he buried?

Matthew remains quiet.

SAM
SoÖ

MATTHEW
He wasnít.

Sam looks towards Matthew, curious.

SAM
Cremated?

Matthew shakes his head no

SAM
Where is your brother Mr. Barron?

FADE TO:
INT. BARRON HOME- KITCHEN

Dean walks into the kitchen and looks around. Pizza boxes line the counter. None of the plates are washed and greenish water flows in the sink. Flies hover around and the stench is unbearable. Dean plugs his nose. He looks around. He notices a cellar door leading towards the basement. He opens it and walks int.

INT. BARRON HOME- BASEMENT

The basement is pitch black. Dean descends down the stairs. He looks around. Nothing out of the ordinary. Then his eyes catch something. Red lit red candles resting on an alter. He walks towards the shrine. Itís confirmed. Arnold Baron did practice Black Magic. An old rusty book sits in the center of the alter. Dean opens it and flips to a marked page. CLOSE UP Dean stares towards the book, intrigued.

FADE TO:
INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE
(YOU REALLY GOT ME NOW BY VAN HALEN)


Kyle Mosley works on the 1958 Plymouth Fury. Fixing it up, finding new parts and polishing the exterior.

KYLE
Weíll show them, right?

Kyle reaches out and GRABS another rag from a bucket of water. He RUBS the car with the rag, cleaning off any sign of decay. Kyle continues to softly rub the car, with the ragÖ VROOM!!! The engine FIRES up, almost in response to Kyleís actions. Kyle backs away and looks towards the car. He breathes out, walks away and looks back. The Plymouth sits, unmoving. Kyle slowly walks back towards it, inspecting the car. He breathes out.

KYLE
Man, either Iím tired

Kyle looks around the pitch dark warehouse, rolls his eyes.

KYLE
OrÖ

The headlights fire up, ILLUMINATING the warehouse. Kyle quickly looks back towards the Plymouth, his eyebrows arched- curious.

KYLE
You can understand me?Ö Honk your horn; please tell me Iím not crazy.

Silence, Kyle waits. Part of him wants it to be silent, the other part urges for something more. HONK!!! The horn sounds, STARTLING him. Hairs stick up on end. Kyle approaches the car, nervous.

KYLE
Alright, at least Iím not delusional.

Kyle approaches the Plymouth. He gulps.

KYLE
Christine huh?

Kyle approaches her, nervous but he is no longer afraid. Rather more aroused by the notion of a living, breathing automobile; Kyle rests his hand against the door. He smiles.

KYLE
Thatís your name right?

The headlights blink. Kyle grins, taking notice. Kyle slowly opens the door and gets into Christine.

INT. CHRISTINE

Kyle sits in the passenger seat. His hands rub up against the steering wheel, feeling Christine over.

KYLE
Weíll do this together. I fix you up, you fix me up. Weíre a team.

Kyle pats the steering wheel, feeling gradually more and more intimate with Christine.

KYLE
No one can stop us. Not when we work together. Never.

The camera PANS over and we are now able to see the backseat. A shadow lurks in the background, it gradually moves CLOSER and CLOSER towards the front seat. Finally we can see it! Its eyes are wild and cruel, itís teeth fixed into a sadistic grin. The rotting away, grotesque corpse of a middle aged man, ARNOLD BARON, sits in the back seat leaning over Kyleís shoulder!!!

ARNOLD
Together we can make them pay.

Kyleís eyes dart back and forth.

KYLE
Make themÖ payÖ

Kyle grins, he likes the sound of that.

FADE TO:
EXT. ABANDONED ROAD

Dean and Sam leave the Barron home and walk back towards the Impala.

SAM
Find anything?

Dean holds up the book of black magic.

DEAN
Arnold Baron did practice black magic. Best guess is that his spirit is somehow bonded with the car. What about you?

Sam nods

SAM
I found out where he was ďburied.Ē

DEAN
And?

SAM
He wasnít.

DEAN
So, where is he?

Sam breathes out

SAM
In the trunk of the 1958 Plymouth Fury.

Dean bites down on his lower lip.

SAM
Yeah.

DEAN
So, now we know how heís doing it. All we need to do is get that car and burn the
corpse.

Sam takes out a pad of paper. Written on it is KYLE MOSLEY.

DEAN
So, who has the car now?

Sam looks towards Dean

EXT. LIBERTYVILLE HIGH- PARKING LOT- AFTERNOON

The sun beats down towards the ground below. Scorching the pavement. SLAM! Kyle closes Christineís and wraps his backpack around his back.

KYLE
ByeÖ

Kyle pats her on the back and begins to walk towards the school. MICHAEL MARKS, your regular 17 year old smart ass bully of the school, stands in front of Kyle. Blocking his way. Around him is his compatriots of misery: ERIC, ALEX, and SHAWN.

MICHAEL
Wo, wo, wo. What do we have here boys?

Kyle attempts to maneuver his way around.

KYLE
Just let me through, alright guys. I donít want any trouble.

Eric walks towards Christine and kicks her in the side.

ERIC
This your ride Mosley?

Michael extends his hands, snickering.

MICHAEL
Give me the keys. Let me take the girl out for a spin.

KYLE
In your dreams.

Kyle pushes past him.

MICHAEL
Wait, hold up. What did you say to me you little punk?

KYLE
In your dreams. Now why donít you go back to the cave. Donít you know the rest of the cavemen are extinct. Huh? Neanderthal.

Michael frowns.

MICHAEL
Thatís it. You called for it.

Michael LUNGES towards Kyle, knocking him to the ground. POW! Michael SLAMS
Kyle against the pavement. POW! Michael sends his fist SMASHING against the right side of Kyleís face. POW! POW! POW! Meanwhile teenagers have been crowding around the fight, cornering them in. Some rooted for Kyle to get back up and fight. Michaelís gang backs him all the way. John tries to get a look at whatís going on, from the back.

JOHN
Hey, whatís going on?

A teenage GUY looks towards John.

GUY
Marks finally lost it. Heís knocking the crap out of Kyle Mosley, the class dweeb.

John shakes his head no and begins to make his way through the crowd.

JOHN
Excuse meÖ coming throughÖ excuse meÖ

John looks down towards Michael.

JOHN
Why donít you try that on someone your own size?

Michael looks up towards John. John stares down towards him. Michael nods.

MICHAEL
Fine, this nerd isnít worth it anyways.

Michael get backs up and grins. He pulls out a knife and LASHES out towards John.
John sidesteps.

JOHN
You missed.

POW! John sends his fist and knocks Michael to the ground. THUNK! Michaelís gang comes to his aid. John helps Kyle up.

JOHN
You ok man?

Kyle nods. The students begin to walk away. The fun was over.

KYLE
Iíll be fine.

JOHN
Are you sure?

Kyle walks back over towards Christine. He nods.

KYLE
Donít worry about it.

Kyle gets into Christine. Starts the ignition and drives off. John watches him, worried.

INT. ROCKBRIDGE LIBRARY

Sam and Dean sit at a desk browsing through old newspaper articles. We see an article about Arnold Baron. November: ARNOLD BARON UP FOR MAYORÖ November: ARNOLD BARON LOSING MAYORAL ELECTIONÖ December: ARNOLD BARON WINS MAYORAL SEAT BY DEFAULT. Dean looks towards Sam. Sam nods.

SAM
So, what happened between those two months?

Dean begins to flip through the newspapers

JUMP CUT:
EXT. GAS STATION- FLASHBACK

The 1958 Plymouth Fury is parked in the gas station. Arnold Baron looks out the window. He notices BOB PARKER, early 30s, walk back towards his black 61' Pontiac Ventura. Arnold gets out.

ARNOLD
Hey Bob, nice seeing you again.

Bob sees Arnold and smiles.

BOB
Hey, thereís the big guy.

Arnold smiles and shrugs

ARNOLD
Want to come see my new car?

BOB
No thanks, I gotta get home.

Arnold frowns

ARNOLD
Only take a second.

BOB
Ok, only a second though.

Arnold grins, shrugging his shoulder. Bob looks over the 1958 Plymouth Fury.

BOB
Thatís quite a looker youíve got there.

Arnold looks back and forth. No one was watching. This was small town suburbia, no need for any security cameras.

ARNOLD
Yeah?

Arnold takes out a knife and PLUNGES it into Bob. Bob looks towards Arnold shocked and plummets to the ground. THUNK! Arnold grins.

ARNOLD
Glad you think so.

Arnold gets back in. Starts the ignition and drives off.

EXT. DESERTED ROAD- NIGHT- FLASHBACK

We see a middle aged man, DALE WEATHERS, driving his 1962 Chevrolet Bel Air down the road at night.

DEAN (V.O.)
Then two weeks later, Dale Weathers. The local financer for political affairs was murdered.

VROOM! The 1958 Plymouth Fury pulls up behind it. HONK! HONK! HONK!

INT. CHEVROLET BEL AIR-FLASHBACK

Dale checks his rearview mirror. Seeing the Plymouth Fury hot on his trail. Dale motions for the car to go around.

EXT. DESERTED ROAD- NIGHT- FLASHBACK

HONK! HONK! HONK! The Plymouth Furyís headlights begin to blink on, off, on, off. RAM!!! The Plymouth Fury CHARGES into the Chevrolet, knocking it off the road. BANG! The car SLAMS into a tree. The Plymouth Fury SCREECHES to a complete stop. Arnold gets out and runs over towards the Bel Air. He looks in.

DEAN(V.O.)
Reports say that he committed suicide. Drove his car straight off the road.

We donít see what happened- nor do we want to. But by the sadistic look on Arnoldís face we can tell that heís dead.

JUMP CUT:
EXT. POLITICAL ELECTION- FUND RAISER- NIGHT

We see an older man with graying hair exit out of a political fund raiser. His name isÖ

SAM (V.O.)
Clark Collins. Running mate. Was killed in a hit and run. Police never found out who was driving the car that night.

Clark crosses the street. VROOM! VROOM! VROOM! Clark looks towards the road. The 1958 Plymouth Fury CHARGES straight towards him. RAM! Clark HITS the windshield and bounces off the car. Dead.

INT. ROCKBRIDGE LIBRARY

Dean flips through the obituaries.

DEAN
Yeah, then Arnoldís daughter died one month before he killed himself.

Sam looks towards the article.

SAM
Carbon Monoxide Poisoning?

Dean nods

DEAN
Exhaust Fumes.

INT. BARON FAMILY HOME- GARAGE- FLASHBACK

The garage is pitch black, the only light source comes from red lit candles. Arnold Baron and his 10 year old DAUGHTER look towards Christine. Arnold takes a tube connected to the exhaust fumes. Looks it over and nods.

ARNOLD
Now, be a good girl for daddy and put this in your mouth.

Arnold hands his daughter the tube. She shakes her head no.

ARNOLD
Come on, it will be fun. Afterwards Iíll take you to the mall.

The daughter smiles. Takes the tube from her fatherís hand andÖ

JUMP CUT:
INT. CHRISTINE- FLASHBACK

Arnold Baron sits in the back seat of Christine. Gun pointed towards his head. POW! POW! POW! He shoots himself three times.

JUMP CUT:
INT. ROCKBRIDGE LIBRARY

Dean closes the newspaper.

DEAN
We have to find that car.

Sam nods.

INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

CLANG! A tire HITS the ground. We PAN UP to see Kyle staring down towards it, breathing out, tired and restless. Sweat pours down the back and front of his shirt.

KYLE
I hate them!!!

Kyle glances towards Christine, he walks towards her.

KYLE
Everyday, nonstop since first grade I have been a target of their mockery.

Kyle leans up against Christine, rubbing his hand down her windshield.

KYLE
If only I could make them stop

ARNOLD (O.S.)
Be a man

Kyle nods and wipes his tears away

ARNOLD (O.S.)
You know what to do

Kyle backs away and looks towards Christine, frightened.

KYLE
Kill them?

Christineís engine ROARS! Kyle walks away.

KYLE
I canít

ARNOLD (O.S.)
Be a man

Kyle looks back towards Christine

KYLE
Itís wrong!!!

ARNOLD (O.S.)
What isnít? Step up. Let me fix you.

Kyle nervously looks towards Christine

KYLE
No!!!

ARNOLD (O.S.)
You want to be looked down on!? Ridiculed!!?

Kyle shakes his head no

ARNOLD (O.S.)
Then be a man, eliminate them! Make them payÖ suffer.

Kyle inches towards Christine, as though in a trance

KYLE
PayÖ suffer.

Christineís headlights blare as Kyle nears her.

ARNOLD (O.S.)
Itís your time. Your day has come.

Kyleís lips part, forming a sadistic grin

KYLE
Kill them all.

Christineís engine ROARS. Kyle grins, laughing.

EXT. SIGNS OF DEATH ROAD- NIGHT (BORN TO BE WILD- STEPPENWOLF)

We open to a deserted road. Blanketed by the nightís sky. Fog rolls across the ground. A road sign looms overhead. SIGNS OF DEATH ROAD. We hear teenagers partying. We zoom in. We see a Mazda RX 7 parked by the side of the road. Eric, Alex and Shawn stand around the car. Flirting and making out with their girl friends. Michael stands behind the car, looking around, alone. Eric looks towards him.

ERIC
Hey, whereís your girl, man?

Michael shrugs.

MICHAEL
She should have been here by now. Iíll call her.

Eric nods ok. Eric, Alex, Shawn and their dates move off into the fields. Michael enters the Mazda RX. Christine is parked on the hill, looking down towards the activities below.

INT. MAZDA RX

Michael GRABS his cell phone and turns it on.

EXT. SHADES OF DEATH ROAD

Christine looks down towards them from her perch above. Eric, Alex, and Shawn clang their beer bottles together. Having a fun time. VROOM!!! VROOM!! VROOM! Christine LAUNCHES down the hill and speeds straight towards the Mazda RX.

INT. MAZDA RX

Michael sits in the car.

GIRL FRIEND (O.S.)
Iím not here right now, butÖ

Michael nods and puts the cell phone away. He frowns. VROOM! VROOM!!! Michael
looks up. Then he notices it. Christine SPEEDING straight towards him- what the hell. Michael quickly fumbles in his pocket trying to pull out the keys. Christine comes CLOSER and CLOSER.

EXT. SHADES OF DEATH ROAD

Eric, Alex, Shawn and their dates watch on in fright as Christine RAMS into the Mazda RX. Causing it to tumble over. Michael screams in agony.

ERIC
Oh manÖ oh manÖ

ALEX
You think we should do something?

Shawn looks towards Christine pulling into reverse. Christine angles herself towards the group of partiers.

SHAWN
Agh, guysÖ

Eric and Alex turn towards Shawn. Shawn notions towards Christine. VROOM!!! Christine CHARGES towards them. They run off, terrified. CLOSE UP on Michael laying on the ground. Glass shattered around him. Bleeding severely. VROOM! VROOM! VROOM! We hear screams of horror and agony as Christine MOWS down the remaining teenagers. No mercy.
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dean5339
Posted on Feb 20 2006, 05:52 AM


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Group: Admin
Posts: 1,349
Member No.: 4
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EXT. SIGNS OF DEATH ROAD- NIGHT/ RAINING- LATER

We OPEN TO the CARNAGE caused earlier that night. We see the tilted over Mazda RX 7, shattered glass is scattered all around. Blood drips onto the pavement. Inside we see Michael Marks, sprayed across the ground, severely bleeding. Eyes closed.

MAN (O.S.)
Get him out of there.

We ZOOM OUT. The voice belongs to CHRISTOPHER MARKS, the Sheriff. Old, gruff, stern. The medical team sets to work. The Impala PULLS to a stop. Sam and Dean get out.

DEAN
We should have got that car by now.

Dean approaches the wreckage.

SAM
There was nothing we could have done.

Dean SHOOTS Sam a hard glare. He means business. Sam nods and shrugs his shoulders.

DEAN
This shouldnít have happened.

Chris walks towards them.

CHRISTOPHER
Excuse me, may I help you boys?

Dean takes out his badge.

DEAN
John King, this is my partnerÖ Steven Carpenter. What happened here?

CHRISTOPHER
We donít know. Itís the second it happened. This week.

SAM
Thereís been more?

Chris nods.

CHRISTOPHER
Many.

DEAN
Any witnesses?

Christopher breathes out, hopeless.

CHRISTOPHER
Not so far. Whatever it is. It comes. It goes. It kills with intent, leaving no one alive.

Dean looks over towards Michael being placed onto a gurney.

DEAN
How about him?

CHRISTOPHER
Thatís my son.
(beat)
We donít know yet.

SAM
So, where have the other attacks occurred?

DEAN
Same stretch of road?

Chris shakes his head no. Dean and Sam nod ok.

DEAN
How many died?

CHRISTOPHER
My men are still searching. So far, I would say roughly five. Not including my boy.

Dean breathes out, tensed.

DEAN
Weíll find whoever did this.

Chris nods

DEAN
If anything comes up. Can you call us?

Dean hands Chris his number. Chris nods.

CHRISTOPHER
Iíll do that. You do the same.

Dean nods.

DEAN
Sure thing sheriff

Chris walks towards the ambulance and gets in with his son. Dean and Sam walk
around the crime scene.

DEAN
I swear to god, Sam. When I find that thing, itís dead. Its engines are good as gone.

Dean bites his lower lip, looking around. He shakes his head no violently. He kicks the ground.

DEAN
Man, this really pisses me off!!!

Sam looks towards him.

SAM
Relax, alright. Itís not your fault.

Dean breathes out.

DEAN
Weíre going to find that car.

Dean walks over towards the Impala and opens the driverís seat.

DEAN
Get in!

Sam nods and walks towards the Impala. Dean gets in and violently slams the door. Sam enters the Impala.

INT. IMPALA

Dean stares forward. Sam looks towards him.

DEAN
Itís nothing.

Sam continues to look towards Dean, worried.

DEAN
Iíll be fine Sam.

Dean starts up the ignition.

EXT. SIGNS OF DEATH ROAD

VROOM! VROOM!! VROOM!!! The Impala drives off and disappears down the road.

FADE TO:
EXT. LIBERTYVILLE HIGH- AFTERNOON/SUNNY
(CALIFORNIA DREAMING BY THE MAMAS AND THE PAPAS)


Christine pulls into the parking lot. VROOM. Leaves fall down from the trees. VROOM. Eerily everything seems like itís perfect. Christine pulls to a stop. VROOM. Kyle gets out of Christine, sporting a new 60s look. Becoming immersed as one with her. Kyle grins as he shuts her door.

KYLE
Be back later baby.

Kyle pats Christine on her hood. John looks towards Kyle walking towards the school.

KYLE
Man I hate this dump.

John walks towards him.

JOHN
Hey.

Kyle looks towards John, repulsed.

KYLE
Oh- itís you.

John looks towards Kyle, nerved.

JOHN
Did you hear what happened to Marks?

Kyle snickers.

KYLE
Yeah. He had it coming too.

John looks towards Kyle

JOHN
Yeah sure he was an ass hole. But, he didnít deserve what happened to him. Eric, Alex, Shawn, Megan, Lisa and Jennifer are all dead.

Kyle shrugs

KYLE
And? Iím supposed to care?

JOHN
Whatís got into you man?

Kyle looks back towards Christine. He grins and nods.

KYLE
Letís just say somebody saved my life.

Kyle pushes past him and enters the school. John approaches the 1958 Plymouth. He looks towards it. Scared. He looks around. Everyone had entered the school. The trees are now naked of all their leaves and flowing in the wind. John backs away. He walks back towards the school. Looks back towards Christine and runs off. CLOSE UP Christineís headlights go on. ďHe knows Iím going to stay.Ē

INT. ROCKBRIDGE HOSPITAL- HALLWAY

Sam and Dean walk through the hospital. Dean notices Chris and nods.

DEAN
How is he?

Chris looks back and forth between them

CHRISTOPHER
Doctorís say heíll be fine.

Dean nods his head ok and looks in towards Michael strapped to the hospital bed.

DEAN
Do you mind if we talk to him?

Chris shrugs

CHRISTOPHER
Go right ahead. He doesnít remember that much.

SAM
We just want to find out what he knows.

Christopher nods.

INT. ROCKBRIDGE HOSPITAL- MICHAELíS HOSPITAL ROOM

Dean and Sam enter the room. Dean takes a seat next to the bed. Michael opens his eyes and looks towards them.

MICHAEL
Are you the cops?

Dean cracks a grin

DEAN
You could say that. So, did you get a good look at the driver?

Michael shakes his head no

MICHAEL
You wonít believe me. Heck, my own father doesnít believe a word I said.

SAM
Weíll believe you. Tell us what happened.

Michael breathes out, shrugs and nods. Worth a shot.

MICHAEL
No one was driving the car.

Sam and Dean exchange a nervous glance

SAM
What do you mean no one was driving the car?

MICHAEL
Exactly what I said man. There was no driver. The carÖ it was going all by itself.

DEAN
Do you know who might have done this?

Michael resists.

MICHAEL
No.

SAM
Because if you do, we can do something about this.

Michaelís voice shakes timidly as he talks.

MICHAEL
ListenÖ I donít knowÖ

DEAN
If you know, you have to tell us.

Michael breaks down

MICHAEL
I canít!!!

DEAN
If you tell us, we can protect you.

Michael shakes his head no. Panicked.

MICHAEL
No man, that car. It wanted meÖ dead. I tell you- itís going to come back.

Dean and Sam breathe out and nod. The door behind them closes.

JOHN (O.S.)
Iíll tell you.

Dean and Sam glance behind their shoulders to see John, standing in the room. Determined.

EXT. DRIVE-IN- NIGHT (MY GIRL BY TEMPTATIONS)

We open to a Drive-In movie theater. On the screen is playing HALLOWEEN. Teenage guys and girls are parked in their cars making out. Nothing much has changed since the early days of the drive-in theaters. We pan through the drive-in. Couples making out. Teenagers partying. Kyle sits inside of Christine.

INT. CHRISTINE

Kyle rubs Christineís fine leather interior. Kyle touches her steering wheel. He smiles as he rest his head against the steering wheel.

KYLE
ChristineÖ

Kyle rubs her dashboard.

EXT. DRIVE-IN

We ZOOM OUT. Teenage boys and girls on date. Kyle and Christine.

FADE TO:
INT. ROCKBRIDGE HOSPITAL- LOBBY

Dean, Sam and John sit in the lobby.

JOHN
The car that did this is a 1958 Plymouth Fury. It belongs to my friend. Kyle Mosley.

DEAN
How are you sure itís him?

JOHN
Because ever since heís got that carÖ heís been- changing. He loves that car more than anything.

SAM
Have you noticed anything strange or unusual about the car?

John looks towards Sam, confused.

DEAN
AnythingÖ out of this worldÖ something you canít even begin to describe.

John looks towards Dean and nods.

DEAN
What is it?

JOHN
The day that Kyle bought that car. I swear to god man, I saw somebody in the backseat. AnÖ

DEAN
Apparition? Ö Ghost?

John nods

JOHN
Itís been giving me nightmares since. Bad dreams.

John grins, laughing.

JOHN
I canít even sleep anymore they got so bad.

SAM
These nightmares, what are they about?

JOHN
Usually Iím over at Darnellís impound lot. Staring straight towards that car. Then it charges straight at me. As though itís trying to kill me. Then I wake up.

Dean and Sam exchange a knowledgeable glance

JOHN
Whatís going on?

DEAN
Do you want the truth?

John shrugs

JOHN
I can handle it.

DEAN
That car. We believe itís possessed by itís former owner. Arnold Barron. He used to
practice black magic.

SAM
Itís very possible that somehow he bonded his spirit to the car.

DEAN
That would explain the differences in Kyle. Depending on the type of haunting, it has been known to occur.

JOHN
So, who are you guys?

Dean grins

DEAN
Weíre hunters.

JOHN
No, I mean seriously. Who are you?

DEAN
We are being serious.

John gulps and nods.

JOHN
Youíre going to get that thing right?

Dean nods

JOHN
I want to help you stop it.

Dean looks towards Sam.

SAM
No, itís way too dangerous.

JOHN
My best friendís life is on the line. Heís like my brother. You donít get it do you? I have to do this.

Sam breathes out

DEAN
You can come.

Sam shoots Dean a look.

DEAN
Trust me, I have a plan.

Sam raises his eyebrow

SAM
That the same type of plan you had for Matthew Baron?

DEAN
This is different.

Sam laughs and nods. Johnís eyes look back and forth between them. Dean stands up.

DEAN
Letís get that sucker.

Dean, Sam, and John leave. The camera stays, we PAN to the side. Revealing that Christopher Marks was listening to the whole conversation. Anger burns through him.
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dean5339
Posted on Feb 20 2006, 05:53 AM


Advanced Member


Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



EXT. ABANDONED WAREHOUSE- NIGHT

Rain falls down hard upon an old abandoned warehouse. Trees sway in the wind. The Chevy Impala pulls to a stop just outside the warehouse.

INT. IMPALA

Dean looks towards Sam

DEAN
Hereís the plan.

Dean looks back towards John.

DEAN
John, we need you to create a diversion. I donít care what. All we need you to do is get Kyle away from that car.

John nods.

DEAN
Sam, Iím counting on you man. Iím going to lure that god damn car back here. Have that door open. Iím going to charge in. It will be right on my back. Then close the door. We need to trap it inside the warehouse. With the time you have, find a means to corner that car so we can get inside.

Sam nods.

DEAN
Alright, letís send this car down the olí highway to hell.

SAM
Hey Dean, be careful out there.

DEAN
Always am Sammy.

Sam exits the Impala and walks towards the warehouse. Dean looks back towards John.

DEAN
You can ride shotgun, kid.

FADE TO:
EXT. DARNELLíS IMPOUND LOT

The Chevy Impala pulls to a stop just outside of Darnellís Impound lot warehouse.

INT. IMPALA

Dean looks towards John

DEAN
You sure heíll be here?

John nods.

DEAN
Alright, counting on you kid. Take us home.

John exits the Impala.

INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

John walks in and looks around. Kyle is fixing Christine again.

JOHN
Hey.

Kyle stops and looks back towards John. Angry. Eyes narrowed.

KYLE
What do you want?

John shrugs

JOHN
Just thought Iíd show you something.

Kyle frowns

KYLE
Show me what? Iím busy. Canít you see that!!!

John steps a couple of feet back.

JOHN
Yeah, I can. But this is important man. Trust me. Youíll thank me when this is all
over. Come on.

Kyle nods ok

KYLE
Weíll drive.

John walks towards Kyle.

JOHN
No, noÖ itís easier by foot.

Kyle rolls his eyes

KYLE
Fine, just hurry it up then.

EXT. DARNELLíS IMPOUND LOT

John and Kyle exit out of the warehouse.

INT. IMPALA

Dean watches them leave. Now!!! Dean drives the car into the warehouse garage.
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dean5339
Posted on Feb 20 2006, 05:53 AM


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Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



NOTE: THE FOLLOWING IS AN ACTION MONTAGE USING THE SONG IT'S GONNA KILL ME BY FILTER THROUGHOUT.

INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

The Impala SPEEDS into the warehouse. And swerves a 180 stop. The Impala faces the 1958 Plymouth.

INT. IMPALA
Dean stares forward.

DEAN
Come aní get me you son of a bitch.

Deanís hands tighten on the wheel.

INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

Christine and the Impala stare each other down. VROOM! VROOM!! VROOM!!!

INT. IMPALA

Deanís hands tighten on the wheel. Dean grits his teeth.

DEAN
Come on, come onÖ

INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

The Impala SPEEDS out of Darnellís Impound lot. Christine CHARGES towards it. Narrowly missing.

INT. IMPALA

Dean quickly checks his rearview mirror. Christine SWERVES a 180 turn and ROCKETS out of the warehouse garage.

EXT. DARNELLíS IMPOUND LOT

The Impala speeds off onto the main road. Christine follows and CRASHES through the side exit gate. Itís tires spark.

EXT. MAIN ROAD

The Impala drives through traffic. Swerving in and out between the cars. Christine follows close behind revving her engine. VROOM! VROOM! VROOM! Dean hugs the right side of the road and makes a sharp turn. Christine turns. RAM!!! She SLAMS into a car. Christine continues the chase.

INT. IMPALA

Dean checks his rearview mirror. Christine was still close behind.

EXT. MAIN ROAD

Dean swerves the car into a major traffic lane. The Impala SHOOTS straight through an intersection of cars rushing towards it. Christine follows close behind. Dean checks his rearview mirror. Ahead of the Impala is a tanker truck making a left hand turn onto his side of the road.

DEAN
Shit!!!

The Impala SWERVES narrowly missing the tanker truck. Christine CHARGES towards the Impala.

INT. IMPALA

Dean equips his cell phone

DEAN
Sam get ready!!!

EXT. MAIN ROAD

The Impala continues to rocket through the streets. Christine follows close behind. Two cop cars notice and take chase. Dean checks his rear view mirror.

DEAN
DamnÖ cops.

The Impala speeds forward. The bridge ahead is crowded.

INT. IMPALA

Dean breathes out.

DEAN
I gotta be out of my mind.

EXT. MAIN ROAD

The Impala drives straight towards a construction ramp. The Impala flies over the bridge and lands on the other side. Christine follows suite. The two cop cars screech to a stop. The Impala lands and takes a quick right onto an abandoned road towards the warehouse.

INT. IMPALA

Dean glances into the rearview mirror.

DEAN
Get readyÖ

EXT. ABANDONED WAREHOUSE- NIGHT

The Impala SOARS into the open doorway. Christine follows.

INT. ABANDONED WAREHOUSE

The Impala pulls to a stop. Christine charges inside and Sam quickly SLAMS the doors shut. Dean gets out of the Impala.

DEAN
Whatís the plan!

Sam looks towards a large bull dozer. VROOM! VROOM!! VROOM!!! Christineís engines ROAR as she CHARGES at them.

SAM
Run!

Sam and Dean RUSH towards the Bull Dozer. Dean gets there first. He waits. Sam reaches the Bull Dozer.

DEAN
Get in.

Sam looks towards Dean, bewildered. But he doesnít have time to argue. Sam and Dean get in. Dean SLAMS the door shut.

FADE TO:
INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

John and Kyle return. Kyle rushes towards the empty part of the warehouse where he had parked Christine.

KYLE
Where is she!!!

Kyle SLAMS John up against the wall.

KYLE
What did you to her!

JOHN
Trust me, itís better this way.

Kyle growls as he SHOVES John to the ground.

CHRISTOPHER (O.S.)
Easy now.

Kyle frowns, glances behind his shoulder. Christopher points his gun towards Kyle.

CHRISTOPHER
This will all be over soon enough. Get into the corner! Both of you. NOW!!!

Kyle remains. POW! Chris fires off a bullet. Narrowly missing.

CHRISTOPHER
Donít make me fire another bullet. Son. Iím not always a lousy shot.

FADE TO:
INT. ABANDONED WAREHOUSE

Christine CHARGES towards the bull dozer. The bull dozer attempts to scoop it up.

INT. BULL DOZER

Sam is at the controls. Dean finds a can of bug spray.

DEAN
A small flame thrower in a bottle.

Dean looks towards Sam

DEAN
Got that thing yet?

SAM
Almost!!!

INT. ABANDONED WAREHOUSE

The Bull Dozer scoops Christine up and off of the ground.

INT. BULL DOZER

Sam looks towards Dean

SAM
Ready.

Dean nods

DEAN
Keep her steady. Iím counting on you Sammy.

INT. ABANDONED WAREHOUSE

Dean gets out of the Bull Dozer and climbs up onto the front of it. Inching towards Christine. VROOM! VROOM! VROOM! He takes a crow bar and PLIES the trunk open. Dean looks inside.

DEAN
Yep, this is definitely him.

Dean drops the crowbar onto the ground. VROOM! VROOM! VROOM! Christine struggles to get free. Dean takes out the bug spray, ignites a flame and sprays the fire onto Christine. Dean throws the bug spray away and tosses the match into the trunk.

DEAN
See you in hell.

VROOM! Flames ignite the car.

DEAN
Sam, move it! Go! Go! Go!

Dean climbs down off of the bulldozer. Sam exits. They run towards the Impala and hop in.

INT. IMPALA

Dean starts the ignition.

DEAN
And weíre off.

Through the rearview mirror we can see the fire spreading over the bulldozer. Dean SLAMS on the breaks. BOOM! Christine and the Bull Dozer EXPLODE. Flames ignite chasing the Impala out of the warehouse!!!

EXT. ABANDONED WAREHOUSE

The Impala swerves out onto a ditch on the road.

INT. IMPALA

Dean and Sam watch the warehouse blow up from afar.

DEAN
Well, I donít see that car coming back any time soon.

Sam looks towards Dean, shaking his head.

DEAN
Come on, letís get out of here.
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dean5339
Posted on Feb 20 2006, 05:54 AM


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Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



EXT. ABANDONED WAREHOUSE

The Impala drives off, fading into the distance.

INT. DARNELLíS IMPOUND LOT- WAREHOUSE GARAGE

Kyle stands, backed against the wall. We see Arnold Baron RUSH out of Kyle. And vanish in thin air. John gulps. Afraid. Chris continues to point the gun towards Kyle.

CHRISTOPHER
You almost killed my son! And you killed over a dozen already. Innocent people.

Kyle looks towards John confused, back to the regular Kyle.

KYLE
WhatísÖ whatís going on?

John looks towards Kyle. He grins. They did it. POW! Another bullet shoots straight past Kyle. Kyle gulps.

CHRISTOPHER
Donít play dumb. You know what you did. Confess! Youíre guilty. We all know youíre
guilty!

The Impala pulls to a stop outside of the Impound lot. Dean and Sam get out of the car and rush into the warehouse garage.

DEAN
Easy Chris, put the gun down.

Chris shakes his head no.

CHRISTOPHER
This is the boy responsible. He killed all those people. Including almost my son. Tell
me the truth boy!

John looks towards Dean and Sam, frightened.

DEAN
Chris, put the gun down now. It doesnít have to end this way.

CHRISTOPHER
The people need justice. Iíll deliver the killer. Dead or alive.

Chris fixes the gun towards Kyle. Sweat pours down his face. Dean TACKLES Chris to the ground. The gun soars out of his hand. John grabs it.

DEAN
Now just calm down. Alright.

Chris breathes out. He looks towards Kyle.

CHRISTOPHER
Fine. Let me back up.

Dean backs away. John gives Dean the gun. Dean tucks it into his pocket.

CHRISTOPHER
Youíre under the arrest for the vehicular manslaughter of 28 people. Including minors. Anything you say may and will be used against you in the court of law. You have the right to an attorneyÖ

Kyle looks towards John confused.

KYLE
I didnít do anything.

Chris slaps the cuffs on Kyle and leads him out the back.

EXT. DARNELLíS IMPOUND LOT- NIGHT/ RAINING (DRIVE BY INCUBUS)

Chris leads Kyle into the Police car and throws him in the back. Chris waves goodbye to Sam and Dean and drives off. John stares, devastated. Dean pats him on the shoulder.

DEAN
Itís ok. They canít hold him. What are they going to use as evidence? A destroyed car? And the word of a teenager with nothing to back it up? Heíll be out of there sooner than you know. Trust me.

John and Sam look towards Dean, confused. Dean cracks a grin.

DEAN
Hey, this job doesnít come withoutÖ complications from local authorities.

Dean hands John his number.

DEAN
You ever need anything. Anything at all. Just call us.
(beat)
You did good back there.

Sam looks towards John.

SAM
Heís actually right. What he said, heís right. Iím a Stanford law student. Well, was a student. Just donít worry about it. Everything will work out. Youíll see.

Dean looks back towards Sam.

DEAN
Come on Sam, time to hit the road.

Sam nods ok. Dean and Sam get into the Impala and drive off. John watches them go. The rain stops.

INT. IMPALA

Sam looks towards Dean.

SAM
Back there, in the warehouse why didÖ

DEAN
Itís complicated.

Sam nods ok. Leaving it at that. We all have our secrets.

EXT. ROAD

We see the Impala fade off into the night.

[FADE TO BLACK]
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dean5339
Posted on Feb 20 2006, 05:58 AM


Advanced Member


Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



TEENAGE CAR SONGS

Bad to the Bone- George Thorogood

Rockin' down the highway- The Doobie Brothers

Finish Line- Yellow Card

Fought the Law- Greenday

Hit the Road Jack- Ray Charles

You really got me now- Van Halen

Born to be Wild- Steppenwolf

California Dreaming- The mamas and the Papas

My Girl- Temptations

It's Gonna Kill Me- Filter

Drive- Incubus
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dean5339
Posted on Feb 20 2006, 06:01 AM


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Group: Admin
Posts: 1,349
Member No.: 4
Joined: 19-February 06



user posted image

user posted image

CHRISTINE- 1958 PLYMOUTH FURY
OWNER: ARNOLD BARON & KYLE MOSLEY

user posted image

THE HERO- 1969 CHEVY IMPALA
OWNER: DEAN WINCHESTER

The Supporting cars:

user posted image

JOHN'S CAR- 2007 JAGUAR XK CONVERTIBLE
OWNER: JOHN GORDON

user posted image

CAR AT THE GAS STATION: 61' PONTIAC VENTURA
OWNER: BOB PARKER

user posted image

THE RAMMED OFF ROAD CAR- 1962 CHEVROLET BEL AIR
OWNER: DALE WEATHERS

user posted image

MICHAEL MARK'S CAR- MAZDA RX 7
OWNER: MICHAEL MARK
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dean5339
Posted on Feb 20 2006, 06:02 AM


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EXTENDED NIGHTMARE SEQUENCE

INT. OLD ABANDONED WAREHOUSE- NIGHT

John stares towards the screen. Afraid. At the edge of the warehouse. Looking in. From JOHNíS POV we see the 1958 Plymouth Fury revving itís engines.

INT. 1958 PLYMOUTH FURY

CLOSE UP the radio turns on. ďHit the Road JackĒ by Ray Charles comes on over the radio.

INT. OLD ABANDONED WAREHOUSE- NIGHT

Itís all fixed up, strong, and beautiful. VROOM! VROOM! VROOM! John continues to stare towards it, breathing out. Afraid. Terrified. VROOM! Through the fogged up windshield we can somewhat make out a hazy image of the grotesque looking corpse of a man staring forward from the driverís seat. VROOM! CLOSE UP on Johnís eyes staring towards the carÖ terrified. VROOM! VROOM! VROOM! The 1958 Plymouth Fury shoots off and speeds straight towards him. Itís headlights blaring. John covers his eyes, terrified. He lets out a bone chilling scream as the car charges straight towards him. The Plymouth Fury comes CLOSER and CLOSER towards him. VROOM! It drives straight through him.

JUMP CUT:
INT. GORDON FAMILY HOME- JOHNíS BEDROOM

John SCREAMS as he shoots out of bed. Breathing out hard. Terrified. It was a nightmare. He looks around the room. MARTHA GORDON, 43 years old, enters her sonís bedroom.

MARTHA
Is everything alright honey?

John gulps, sweat pours down his face. He looks towards her. Scared stiff. He doesnít answer. His father, JAMES GORDON, 55 years old, enters the room.

JAMES
Whatís the matter son?

John looks back and forth between them. VROOM! VROOM! VROOM! John gulps, his eyes look around frantic.

JOHN
Nothing, nothing at all. It was just a nightmare.

John looks up towards them, frightened.

JOHN
Iíll be fine.

Martha shakes her head ok and motions for her husband to give John his space. Johnís parents leave and close the door behind them. John stares forward.
He was alone. It didnít happen. He breathes out. It was just a dream right? Carís canít come alive. Not in this reality. John looks over towards his radio, it was turned to Classic 60s. He sighs out and instantly turns it off. He stares forward in silence.


The scene was trimmed down due to pacing reasons. I wanted to keep the energy up, when the parents entered the room telling their son that it was just a nightmare dragged the scene on longer than it needed to be. Thus, slowing the pace. For that reason the scene was cut down, even though it's still one of my favorite scenes of this 'episode'
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dean5339
Posted on Feb 20 2006, 06:04 AM


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DRIVE: DEATH CARS, BRUJAS, AND OTHER 'LEGENDS'


ďNothing that we havenít covered before. You know: The Queen Mary, Alcatraz.Ē

THE QUEEN MARY
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Since her retirement in 1967, the Queen Mary has been permanently docked at Long Beach, California on the west coast of the United States. Accompanied for many years by Howard Hughes' Spruce Goose, the ship now serves as a hotel, museum, tourist attraction, and for-rent site for events. There are also several restaurants on the Queen Mary, and is especially well-known for the Sunday brunch.
The Queen Mary is also said to have ghosts on board. Many areas are said to be haunted. People report hearing little children crying in the nursery room and a mysterious splash noise in the drained first class swimming pool. In 1966, 18 year old fireman John Pedder was crushed by a watertight door in the engine room during a drill, and his ghost is said to haunt this area.

GHOSTS OF THE QUEEN MARY

ESCAPE FROM THE HAUNTED PRISON
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Alcatraz was originally an army fort and prison but later in 1934 converted into a jail. The prison was near impossible to escape and conditions in the jail were shocking.
Al Capone was one of Alcatraz most well known prisoners. Prisoners killed each other, committed suicide, went insane, mutilated themselves or died of sickness.

The guards constantly beat the prisoners and the screams were heard throughout the prison. Prisoners for the most part were not allowed to talk so the only real sounds heard in Alcatraz were those of violence.

Since Alcatraz was closed both guards and tour guides have reported hearing sounds of menís voices, screams, running feet in the corridors, whistles and clanging metal doors. Terrifying screams have been heard from the dungeon.

Some people feel very strange feelings near 14-D. The area feels cold even on a hot day.

The sound of banjo music comes from the shower room where Capone once held forth.

ALCATRAZ HAUNTING

THE GHOST OF AL CAPONE

THE DEATH CAR
ďLike the James Dean ĎDeath Car.íĒ


Links to the amazing story of the curse surrounding James Deanís Porsche. Kripke has brought up this shocking tale of the supernatural in numerous interviews. Perhaps the basis for a future episode, but for now- enjoy, or better yet get scared:

THE CURSE OF JAMES DEAN

THE CURSE OF JAMES DEAN'S PORSCHE

THE DEVILíS TOWER
ďAnd the devilís tower in New JerseyÖ Drive backwards three times and the devil is known to appear.Ē


It is said, that a long time ago, during the 1900's, a man was building a "tower" tall enough so that his wife could see the New York Skyline. While it was being built, the wife went up to the top floor, as she came down, she saw her husband with another woman! She ran back up to the top, and jumped out. There is a myth that if you circle the tower backwards, 3, 6, or 8 times, the dead wife or the devil is known to appear.

NEW JERSEY'S DEVIL TOWER

BRUJAS OF CALIFORNIA
ďHis wife was captured by a Bruja. Dad and I saved her.Ē


The Las Brujas are the witches of Seville, California that are known to haunt the area. According to the town legend, these brujas would appear on the first full moon of the month to fight with each other, to see who had the most power.

LAS BRUJAS
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dean5339
Posted on Feb 20 2006, 06:26 AM


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Red the book that started it all. And check out the hit John Carpenter classic inspired by and adapted from Steven King's original spine-tingling story of the living car.

Buy Steven King's CHRISTINE

John Carpenter's CHRISTINE


An interesting note: The corpse in the backseat was a part of the original novel, the film adaptation did not use this concept.
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