| QUOTE |
| The syllables of these lyrics are very softly hummed and even hard to distinguish from the non-syllabic humming that precedes it in the movie. I'm pretty sure I have the general time stamps correct. But I'm not so convinced of the individual syllables but here is my best guess. The assumption I've made is that the first syllable is held for 8 counts and everyone after that for 4. |
| QUOTE |
| Peter said that you took a completely different approach when you scored 'The Grey Havens'. Tell me about this composition? Frodo couldn't stay in the Shire, he had to leave, so the cart takes Bilbo and Frodo, while the rest of the Hobbits are riding their own ponies, towards The Grey Havens, but first they go to the harbour where they meet Elrond, Gandalf, and Galadriel. Now we start the last chapter, the final moments of the film. Wove all through these moments are Shire pieces, Gandalf piece, there's Elvish pieces playing to Elrond and Galadriel, and then as Frodo leaves Sam you start to hear little bits of 'The Grey Havens'. James Galway also plays at the harbour when Frodo leaves Sam and actually gets on the ship. 'The Grey Havens' is about the great parting of Frodo from The Shire. The melody here is played by ten cellos. The theme for 'The Grey Havens' was specifically created for the ships sailing away from Middle-earth. I wrote this theme while we working on 'Into the West' and then the decision was made to use that melody as part of the song. That's why 'The Grey Havens' and 'Into the West' are related. During 'The Grey Havens' it took the choir great restraint and patience to perform this piece. The technique is very quiet and low-key, it's a very soft performance and beautifully melodic. They are singing in Sindarin. When I first recorded this I didn't use any of Tolkien's languages, I had the choir singing with regular vowels, but I came back and redid it using Elvish text. I also had the choir do some humming, that came from our love of Puccini and the humming chorus from 'Madame Butterfly'. This is a very quiet choral moment. |
| QUOTE |
| An alternate full chorus composition, “Frodo’s Song” was written for Frodo’s departure from the Grey Havens, but was never used. |